Smoke Drifts The Territory Is Not the Map

Smoke Drifts The Territory Is Not the MapNadia Anjuman Afghan poet Nadia Anjuman (1980 2005) drew on the lineage of Persian and Sufi writing and her life under Taliban rule, attending to love, oppression, myth, and devotion through lyrics that both embrace and resist tradition. Anjuman grew up in the Herat, Afghanistan, a city known for centuries for its poetry. While the Taliban was in power, Anjuman met with other women in what appeared to be a needlepoint school, one of the few sanctioned

eenzaamheid en angst

'New Craas Massakah' and 'Sonny's Lettah'

what are the stakes of being too late if it is too late

as Jäderlund says

The myth around him survived thanks to the inclusion of fifteen poems from Defense of the Idol in the groundbreaking anthology Antología de poesía chilena nueva from 1935

De dichter

the hips' silvered percussion

Sexton's name is legendary

denkende én praktische poëzie: theorie en praktijk zijn hier één

the natural

the reason for being has not yet been found

The 'nervous memory-fish' of Berenguer's challenge to the would-be censors of the Americas flit through the waters of our shared