Almost nothing Oyebanke Abejirin

Almost nothing Oyebanke AbejirinPresents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life

Spilling the Beans shows how late eighteenth and early nineteenth century anxieties about women’s consumption and production are manifest in novelists’ and novels’ accounts of what heroines

educating local and international readers about the Australian landscape

with connections explained and explicated between chapters

This is the first study of the films of François Ozon

and the United Arab Emirates

or Ukraine

World Film Locations: Moscow compares and contrasts images from the past and present

offering a unique insight into some of the ideological

this book considers the proliferation of gesture painting there from a European perspective

The Philip Larkin I Knew traces the author's close friendship with the poet and stretches over his 30 year tenure of office as librarian of the University of Hull

Looks at the Lnader in the constitutional order of the country

in a move that is bound to anger consumers and endanger the careers of politicians