The Violent Woman Tom JuppLooks at how violent women characters disrupt cinematic narrative and challenge cultural ideals. In The Violent Woman, Hilary Neroni brings psychoanalytically informed film theory to bear on issues of femininity, violence, and narrative in contemporary American cinema. Examining such films as Thelma and Louise, Fargo, Natural Born Killers, and The Long Kiss Goodnight, Neroni explores why American audiences are so fascinated even excited by cinematic
and the affective (to feel appropriately what matters to a people in an economy or their desire for human flourishing)-come together to fire social imagination about development policies for the common good
George Makdisi
historians of fashion and those interested in theories of warfare and military science
Deleuze and Bachelard
and wooden art from one of the greatest African precolonial states
This book aims to make very important topics in the physics of cancer such as mechanical characterization of cells using biophysical methods visible to the research community
It aims to help partners understand what they can – and what they should not – do to chart the course of their firm most effectively
He also argues that Ricoeur develops Habermas's critical theory
giving the reader a genuine feel for the kind of impact he made
Sophocles and Euripedes
the evolution of low- and high-mass stars is explained from their formation to their death
as well as incorporating "green protein" sources