Bill Meyer 'Ramot' reproduction-print

Bill Meyer 'Ramot' reproduction-printIn 'Ramot', Bill Meyer distills the rugged, sun baked character of Jerusalems hills into a composition that is at once precise and poetic. Executed in red, yellow and green ink from a single zinc plate, the etching captures the elevated quiet geometry of clustered dwellings rendered with Meyers signature economy of line. The work balances observation with imagination, suggesting both the tangible textures of the city and the fleeting impressions of a

Hall stitches together her friends with surrealist motifs

‘Nude and girl with head in hands’ is an intriguing find for collectors of drawings

he briefly attended Belfast School of Art but dropped out

rhythm and vibrations

this work is a love letter to Australian landscapes

Viewers have the opportunity to experience the works intuitively

The work’s tall

Image Size: 19 x 24 cm

It is cast in rich blues

Signed: signed and dated lower left MiRKA/ 2003

he pays tribute to a mentor while totally renovating the portrait genre

Schaller and his comrades set about disrupting the art world status quo