The White Indians of Mexican Cinema Isabelle François

The White Indians of Mexican Cinema Isabelle FrançoisExamines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico. Honorable Mention, 2024 International Latino Book Award in the Best Academic Themed Book, College Level English category The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade the representation of Whiteness as Indigeneity during the Golden Age of Mexican cinema, from the 1930s to the 1950s.

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This course offers advanced work in composition

This book introduces the concept of antitheodicy and an approach that the author proposes to call antitheodicism as central elements of a critical ethical response to the problem of evil and suffering

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the Penn Museum in Philadelphia

This collection of essays is the first published in North America that seeks to describe the methodology and some results of a scholarly enterprise that is hailed in the preface to the volume as "one of the most vibrant

and an examination of how England's victory has been remembered and commemorated