Magnum Editions: Paris, France, 1968 Graphic

Magnum Editions: Paris, France, 1968 GraphicDuring May 1968 I was on constant alert, wrote Bruno Barbey of his time shooting the Paris riots. In those days there were practically no movie cameras. I remember only William Klein filming, and some foreign television crews; French television was on strike. So the fixed image ruled the day. Photography had a role to play, and a central importance. Barbeys image shows students hurling projectiles at the police on Boulevard Saint Germain in the 6th

and Mother Teresa

which they live through daily

he captured the energy of the live circuit from Newport Jazz Festival to The Savoy

Bar-Am covered the 1956 Sinai War and was later taken on as a staffer for the Israeli Army magazine Bamachane

A certain loss of Tenderness…

brimless hat (brimless so people could see her face) and her open-toed shoes (to keep her comfortable)

filmmaker and collector

Che had invited her when they met at the end of 1962 in New York

Indiana—at the time a radical approach to documenting a celebrity

Letter to Robert Capa

connection

Speaking of his practice